Faceless continues the dismantling begun in Demantele, but delves deeper into silence and the dissolution of visible identity. By erasing the faces, the painting becomes an exploration of internal emptiness — of what is no longer named or recognized. This series marks a deeper shift: a rupture not only with form, but with the very need to define. The invisible and the uncertain take center stage, inviting the viewer to dwell in inner space with vulnerability and contemplation.